When a passer-by spotted a black substance clinging
to the roots of an oak tree upturned in a storm in
Borrowdale, England in 1565, he couldn’t have imagined
that he’d just stumbled upon something that would
change the world.
Actually, his first thought was that
this hard, black substance would be
perfect for marking his sheep. But it
wasn’t long before the graphite he’d
found was being cut into rods and
wrapped in string that could be unwound.
Later, the rods were inserted
into wooden cases and the pencil
was written into existence.
The practicality, utility and portability
of the pencil is something we
take for granted, but at one time it
was considered as revolutionary as
the personal computer. It made writing
convenient, and in one stroke
replaced a range of cumbersome
tools including charred sticks, metal
wires, wax-covered stone tablets and
messy inks.
The graphite in the Borrowdale
deposit was of an extremely high
quality, and by the early 1600s, England’s
"black lead" was being widely
exported.
So lucrative was the trade that
when sufficient reserves had been
extracted, mines were often flooded
to keep scavengers out.
But this rich vein of graphite
eventually began to wear out.
France, which in the late 1700s was
fighting several European countries,
including Britain, in what were
known as the French Revolutionary
Wars, suffered a particular shortage
of pencils due to an economic blockade
against it.
To solve this problem, Frenchman
Nicolas-Jacques Conté invented
a way to use lower-quality graphite
from other mines, grind it to a fine
powder, combine it with clay and
then bake it to produce pencil lead.
Increasing the clay content gave
a harder and lighter pencil, while
increasing the graphite made a softer
and darker pencil. This set the stage
for the different grades of pencils we
use today.
The Conté Method was guarded
like a prized family recipe, so wouldbe
copycats had to derive their own
formulas. Those looking to get rich
quick, like "bunglers" (anyone who
was working outside of one of the allimportant
labour guilds) in Germany
resorted to selling pencils with only
an inch or two of graphite, or even
fake blackened wood sticks that only
looked like pencils.
Demand pushed innovation and
soon the German Lothar von Faber
mastered the Conté process and
began creating quality pencils that
would cement the name of Faber-
Castell – as the company is now
known – as one of the world’s greatest
pencil-makers.
Meanwhile, as the 18th century
waned in the United States, a schoolgirl
from Massachusetts whose
name is lost to history had been
given some Borrowdale graphite. She
pounded it to a powder, combined it with glue and encased it in an elder
branch, making the New World’s first
pencil. Author Henry David Thoreau,
himself the son of a pencil-maker, in
the mid-1830s improved upon her invention
by deducing what Conté had
arrived at through chemical analysis;
Thoreau combined poor-quality
American graphite with clay to make
some of the finest pencils available
in the young country.
By the late 1800s, approximately
240,000 pencils were being consumed
daily in America alone. And
an enterprising Hyman Lipman
attached a rubber eraser to a pencil
in 1858 and patented it. Prior to that,
bread was used to remove graphite
marks. Slowly but steadily, the
pencil-making processes began to be
automated and this mass production
began to take a toll on the trees.
The Point of it All - History of the Pencil
It can write under water, in outer space and on almost any surface. It’s been used to solve complex equations, create striking works of art and has been sucked on by schoolkids in a million exams. And it’s the weapon of choice for crossword warriors the world over. But let’s get to the point …
By Michael Franco
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